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8 Best Voiceover Services in Singapore (2026)

8 voiceover agencies, studios and solo talents serving Singapore for corporate narration, e-learning, IVR, dubbing and multilingual voice-over work.

Edited by
Amir Wahab
Published
Reading time
6 min read
A voice actor recording in a padded booth at a microphone while a producer works at the mixing console in a bright Singapore recording studioAI image by LocalRank

Searching for a voiceover in Singapore usually means one of two things: a business that needs a script narrated, dubbed or localised for an ad, e-learning module or IVR system, or someone who wants to hire a specific voice already in mind. This guide gathers agencies, studios and individual talents confirmed against their own websites or verifiable social profiles, spanning multilingual casting platforms, a translation firm with a voice-over arm, a sound-design studio's casting service, and solo artists who book directly. It sits alongside LocalRank's recording-studios guide, which covers rooms built for music and podcast tracking. Compare focus and language coverage, then confirm scope and rates directly with whichever provider fits your project.

1. SPLiCE Studios

SPLiCE Studios has run an audio production house on Lower Delta Road since 2004, and its casting arm, voiceovers.asia, presents itself as a dedicated voice-over platform for the region. The site lists roughly 600 talents across some 60 languages, and describes turning around a casting shortlist within a couple of hours, then recording either remotely over Zoom, Teams or Meet, or in person at its own studio. Its stated focus spans corporate narration, brand films, advertising and IVR or on-hold messaging rather than music tracking. The studio credits sound designer Kenn Delbridge as its lead, and its site names past clients including Visa, Coca-Cola, Shell and Standard Chartered. It suits businesses after a multilingual casting agency with production handled in-house, not a single freelance voice.

2. Kinotech Systems

Kinotech Systems is a Singapore translation and localisation agency, registered in the Kovan area, whose service pages describe a team of voice-over talent covering TV broadcasts, feature films, video games and webcasts across multiple languages. Its site says it can supply character voices for animation and games, narration for e-learning modules, and dubbing for documentary interviews, alongside straightforward corporate and telephone on-hold recordings. Because voice-over sits inside a broader translation business, the company frames it as pairing script translation with the recording itself, suiting a project that needs a script localised into another language and then voiced by a native speaker in one engagement. It fits clients whose voice-over need is bound up with translation work, rather than a purely English-language casting job.

3. Suite Sound

Suite Sound is a voice-over talent agency operating as Suite Sound Pte Ltd from one-north, with a roster its site organises by gender and by younger voices for child or teen roles, spanning more than 30 languages. It describes working with both Singapore-based and overseas talent through regional connections, and offers remote recording through Skype or Source Connect for clients who want to direct a session from elsewhere. The site reads less like a full production studio with its own booth tour, and more like a casting and talent-sourcing layer connecting a project to the right voice. It suits agencies and production houses that already have a script and a director in mind and mainly need a wide, multilingual talent pool.

4. Dreambox Studio

Dreambox Studio is a Hillview-based creative agency that has run corporate video and photography work since 2007, and its site lists Singapore Airlines, PSA International and Vopak among past clients. Voice-over recording sits within its media-production arm alongside video and sound design, and its service page lists a wide spread of use cases: commercials, documentaries, safety announcements, ADR, animated or game character dubbing, multilingual instructional videos, exam listening tracks, audiobooks and phone IVR prompts. It reads as a generalist production house that can record a voice-over as part of a larger brief, rather than a specialist casting agency built around voice work. It suits a client already working with Dreambox on video who wants voice-over handled under the same roof.

5. Song Zu

Song Zu is a music and sound-design company with linked studios in Sydney and Singapore. Its site describes the Singapore location as holding three audio-post rooms and three composer suites, built for recording actors and finishing a mix without changing rooms. Alongside composing and sound design for advertising, television and VR, the company names itself a professional voice-casting agency, sourcing and directing voice talent for the same broadcast and commercial clients it does sound work for. It suits an agency or brand that wants voice casting bundled with sound design and a finished mix under one supplier, instead of booking a voice separately from whoever handles the rest of the audio post. Verify current Singapore contact details before booking.

6. Hagen Valerio

Hagen Valerio is an independent, Singapore-based voice-over artist whose site lists work across television and radio commercials, corporate videos, documentaries, explainer videos, educational programmes and animation. He describes his own range broadly, from warm conversational reads to authoritative announcer copy and character voices, and says his work has been heard on productions across Singapore and the wider region, though without naming specific brands or shows. As a solo talent rather than an agency, booking him means working directly with one voice rather than choosing from a roster, which suits a project that already knows the exact tone it wants and needs a dependable individual rather than a casting shortlist. He is contactable directly through his own site rather than a studio or agency intermediary.

7. Evon Loh

Evon Loh is a Singapore-based voice-over artist working in both English and Mandarin, and her site describes her as one of few female voice talents in Singapore equally fluent and persuasive in both languages. Listed work spans commercial spots, corporate narration, television channel idents, documentary narration, animation, e-learning, in-store announcements and phone IVR prompts, covering a broader mix of formats than a purely commercial voice artist. The site is built around sample reels and service categories rather than named client case studies, so claims about range and bilingual ability are best treated as her own description, not third-party confirmation. She suits a brief that specifically needs one voice able to switch naturally between English and Mandarin takes, rather than sourcing two separate artists.

8. Kim Anne Tan

Kim Anne Tan built her voice career on Singapore radio, hosting shows on Class 95FM and Power 98 for more than a decade before moving to Kiss92FM, where she currently co-hosts a Thursday-night programme under the on-air name Professor Owl. Her bio describes voice-over work spanning TV commercials, radio ads, instructional videos, audiobooks and video games, built on the same trained delivery she uses on air, and lists emcee work at events for heads of state and brands including IKEA and Kohler. Unlike a studio-based artist, her voice is tied to a recognisable on-air persona, an asset for a brand wanting a familiar local voice, and a consideration for one that wants something more neutral. She takes bookings directly rather than through an agency roster.

How to choose

  • Match the provider type to your brief. A multilingual casting agency suits a project needing several languages or a wide pool to choose from, a studio with an in-house voice-over arm suits one that also needs mixing or sound design done in-house, and a solo talent suits a brief that already knows the exact voice it wants.
  • Always listen to a full demo reel in the language and register you actually need, whether that is a warm e-learning narrator, an authoritative IVR prompt or a character voice for animation, rather than judging a provider purely from its written service list. Range in one language does not guarantee range in another.
  • Ask how the session actually runs: whether you can direct remotely over Zoom, Teams or a dedicated platform such as Source Connect, whether the provider has its own booth or records from a home setup, and how revisions or a re-read of a flubbed line are handled once the session is done.
  • Where a project needs translation and voice-over together, such as a script localised into Mandarin or Malay and then recorded, clarify upfront whether one company can carry the work through both steps or whether you will be coordinating a translator and a separate voice artist yourself.
  • Confirm usage rights, file formats and turnaround in writing before booking, including whether the fee covers broadcast use and paid ads or only web and internal use, since these terms vary by provider and by project and should never be assumed from a general service page alone.
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About the author

Amir Wahab

Founder and Editor

Amir Wahab is the founder and editor of LocalRank, an independent Singapore rankings and local guides publication.

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