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8 Best Video Editing Services in Singapore (2026)

Compare 8 video editing and post-production services in Singapore, covering social cuts, colour grading, subtitles and motion graphics for businesses.

Edited by
Amir Wahab
Published
Reading time
6 min read
A video editor working on a timeline across two monitors at a bright creative studio deskAI image by LocalRank

Raw footage rarely becomes a watchable video on its own. Between the shoot and the finished file sit editing, colour correction, sound clean-up, motion graphics, subtitles and the separate cuts each social platform wants. This list covers Singapore companies that publish editing or post-production as a service in its own right, rather than only as the last step of a filming package. Each entry is described from the company's own website, so check the current scope with the team directly. Read the how-to-choose notes before you send files, because the right fit depends on whether you hold the footage already or still need someone to shoot it.

1. Epitome Collective

Epitome Collective, under Epitome Productions Pte Ltd, runs a dedicated post-production service page covering a full finishing chain. Its site lists video editing and offline assembly, colour grading and correction, visual effects and compositing, motion graphics and titles, sound design and mixing, conform and online finishing, and format conversion for delivery on different platforms. It also lists subtitling, captioning and localisation, which matters if one video needs to travel across several languages. The company describes the work as turning raw footage into finished, broadcast-ready film. That suits clients wanting everything after the shoot handled by one house. Its site publishes a contact page for enquiries, so send a brief on your footage and formats.

2. Nine-V Post

Nine-V Post presents itself as a video post-production company aimed at broadcasters, studios and larger media projects rather than small social clips. Its website lists video editing, colour grading, motion graphics, quality control, digital cinema mastering and media management, along with format conversions and broadcast channel management. It also mentions legacy tape digitisation and archival work, which can suit organisations sitting on old recordings. The site describes a history going back to 1995 and refers to Netflix-certified HDR mastering and cloud-based collaborative workflows; those are the company's own statements, so ask for details of what applies to your delivery. Nine-V Post is more naturally a fit for technical finishing and mastering than for quick, low-budget cut-downs, and it publishes an enquiry email on its site.

3. Offing Media

Offing Media is a Singapore video company whose website carries a separate page for editing and post-production. That page lists editorial assembly and storytelling, colour grading, motion graphics and title design, audio post-production, subtitles and multilingual versions, and delivery formats tuned for different platforms. It also mentions event highlight editing, corporate video editing, training and e-learning edits, social media video optimisation and SCORM packaging for learning management systems, which is a useful detail for HR and training teams. Offing Media also films, so it may suit buyers who want editing and shooting from one supplier, but the editing page reads as a service that can stand alone. The site provides a contact page, a quotation request form and a messaging link for enquiries.

4. Moving Image

Moving Image, trading as The Moving Image (SG) Pte. Ltd., publishes a dedicated video editing services page alongside its production work. The page describes editing with subtitling, animations and motion graphics, colour grading, visual and audio effects, and editing aimed at the differing styles of social media platforms. Its wider site also lists 2D and 3D animation, corporate videos, event coverage and documentaries, so it can take on a project that begins as an edit and grows into something larger. The company says on its homepage that it has delivered hundreds of projects since 2016 for well-known brands; treat that as the company's own claim and ask to see work similar to yours. Its website carries an enquiry email and contact page.

5. Somerville Media

Somerville Media describes itself as a Singapore video production agency, and its site includes a post-production and editing page that is useful even if you already own the footage. That page lists corporate and event video editing, colour grading, motion graphics and lower-thirds, multi-language subtitles and captioning, sound design and audio mastering, and social media cut-downs and trailers. It also mentions voiceover artists and a video cloud solution where reviewers can leave comments and approve versions, which helps when several stakeholders need to sign off. The site refers to work for brands across Asia-Pacific. Because the firm is mainly a production agency, confirm that it will take edit-only briefs. A contact page and phone number are published on its website.

6. Dustin Hill Productions

Dustin Hill Productions says it is a creative studio based in Tampines, and it publishes a specific video editing and post-production page. That page describes accepting footage the client already holds and returning finished video, including long-form landscape edits and short-form vertical cuts. The services listed are video editing, colour grading and correction, visual effects, motion graphics and titles, and sound design and mixing. Elsewhere its site lists corporate films, event coverage, animation, live streaming and social media content, so it is a wider studio than the editing page alone suggests. A client with existing recordings needing both a main film and social clips is the clearest match. The site publishes an email address and offers a project brief form.

7. Artzee

Artzee is a digital content studio with an editing page headed with the idea of turning raw footage into a story. Its website lists video editing alongside 2D and 3D animation, visual effects, graphic design, game art and several video types, including corporate, educational, promotional, medical and explainer films. The breadth helps when an edit needs custom animation or illustrated inserts from the same team. The studio lists a Hong Lim Complex address and weekday office hours on its site, and its portfolio shows work labelled with 2025 awards. Its editing page publishes pricing guidance, which this guide does not repeat; ask for a quote based on your running time and graphics needs. A contact page and phone number are provided.

8. Volumes

Volumes, registered as Volumes SG LLP, is a Singapore video production house that also publishes a post-production showreel page. That page lists onsite video editing, offline editing, online editing and colour grading, and describes work on trailers, documentaries and info-educational programmes over more than nine years, according to the company. Its main site talks about strategy-led, scalable video systems for brands, including social media assets and fractional video leadership, which suggests a planning-first approach. The onsite editing option may suit teams that want an editor working alongside them rather than exchanging files. The site publishes a contact form that promises a reply within one working day but no direct email or phone number, so submit a clear note describing your footage, deadline and platforms.

How to choose

  • Decide whether you need an editor only or a whole production team. If you already hold the footage, look for a company that accepts client-supplied files and says so on its site. If you still need filming, a full-service studio such as the listed production houses may be simpler than coordinating two suppliers separately.
  • Ask what the finished package includes before comparing quotes. Editing, colour grading, sound mixing, motion graphics, subtitles and extra social cuts are often separate line items. Write down the exact number of versions, aspect ratios and languages you want, and request that each deliverable is named in the proposal.
  • Match the studio to your delivery channel. Broadcast, cinema or streaming mastering involves technical standards that a social media editor may not handle, while short vertical clips for Instagram or TikTok call for different pacing. Ask to see recent work in the same format and for a similar type of client.
  • Agree the review process and revision limits at the start. Find out how feedback is collected, how many rounds are included and how long each round usually takes. Some companies offer online review tools where several colleagues can comment on one version, which reduces confusion when many people must approve the film.
  • Settle file handling and rights early. Confirm how your raw footage will be transferred, where it is stored while the work is under way and when it is deleted. Ask who owns the project files and music licences once the job ends, and request the final video in every format you may need later.
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About the author

Amir Wahab

Founder and Editor

Amir Wahab is the founder and editor of LocalRank, an independent Singapore rankings and local guides publication.

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